3 thoughts on “The Costume “Black-out” Keeps Choreography Center Stage

  1. As much as a love costuming, it must not interfere with the choreographer’s intent for the dance or the dancers. Dancers have to understand the intention of movement, then cope with the costume – or lack thereof (a bit like real life?) ;). Thanks, Heather, for writing about this.

Leave a Reply to Heather Vaughan-Southard Cancel reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s